thalle / solo II

Line Up :

Tatiana Paris composed, performed, and recorded music using often prepared guitar, autotuned voice, piezos, radio, and a hertzian acousmonium; an old reel-to-reel tape recorder, modular synthesizer, and various objects, and she spoke and sang poems by Pierrick Pagé, Joséphine Bacon, and Marie Andrée Gill.
Rachel Langlais played the organs of t h a l l e I & II.
Adrian Bourget mixed the recording, and Raphaël Jonin mastered it.

Line Up :

Tatiana Paris composed, performed, and recorded music using often prepared guitar, autotuned voice, piezos, radio, and a hertzian acousmonium; an old reel-to-reel tape recorder, modular synthesizer, and various objects, and she spoke and sang poems by Pierrick Pagé, Joséphine Bacon, and Marie Andrée Gill. : -
Rachel Langlais played the organs of t h a l l e I & II. : -
Adrian Bourget mixed the recording, and Raphaël Jonin mastered it. : -

The thallus refers to a plant without roots or leaves — lichens, algae. A form of presence in the world that unfolds discreetly, like the surface of a tree or a covering of the sea.

t h a l l e, for me, is about randomness and correlation. How do unsynchronized elements come together to form a harmonious whole? I can feel great joy in organizing the chaos of these materials that, in fleeting encounters, align within the same moment.

t h a l l e is also an exploration of vast temporalities — from the smooth time of organ pieces or Avril, to the striated tempo of Canine.

I often feel the urge to slow down my physiological rhythm, in order to hear sound from and within other space-times.

t h a l l e is a heap of small autonomous entities, where the song is a tree and the organ a stone.

Tatiana Paris Shares her Creative Process The French multi hyphenate wanted music that “could be listened to while cooking with children in the same room.” Her idea of this goal may differ from yours, though: “Thalle” is a journey into nocturnal psychedelia, using poetry as a form of non-violent resistance.

https://15questions.net/interview/tatiana-paris-shares-her-creative-process/page-1/

En se laissant aller à faire ce qui lui plaît, sans modèle ou sans chercher à s’inscrire dans un courant à la mode, Tatiana Paris présente une garantie de longévité. Je me réfère toujours à l’exergue de Jean Cocteau au début du chapitre D’une histoire féline du Journal d’un inconnu : “ne pas être admiré, être cru”. Le disque de Tatiana Paris est d’une sincérité absolue.

tatiana paris | thalle @ le club de mediapart (fr)

In a world saturated with fleeting sounds, French artist Tatiana Paris offers a moment of beautiful, melancholic pause with her reinterpretation of Colin Vearncombe’s 1986 classic, “Wonderful Life.”

tatiana paris | Wonderful life @ psychedelic baby mag (si)